Jack Stocker
I do a lot of stuff. Mainly though, I write.
Take One, Film Review: Nordic Giants at the Ruby Lounge
Original article: http://www.takeonecff.com/2014/nordic-giants-ruby-lounge
Appearing at the alternative Ruby Lounge in the heart of Manchester, the Sheffield-based Gilmore Trail preceded a unique act from the Nordic Giants, making for a euphoric, emotionally charged experience.
A glittering disco ball cuts through the hazy smoke emanating from the stage, where the Nordic Giants roadies are setting up for the main event. There’s an excitable chatter from an intimate crowd made up of already seasoned fans of the duo, and those new to the act. The anticipation is tangible.
When they do finally glide silently onto the stage, the Giants don’t fail to disappoint. The duo combine their music with a selection of short films displayed on screens both in front and behind them. The result is a cinematic, moving experience like no other.
The films themselves are an eclectic mix, all designed to invoke the emotions of the audience, drawing upon the feelings we all carry within our souls. Darker central themes like fear and intolerance, loneliness and even violence are offset by more optimistic shades of trust and love, hope and self-discovery. All are encompassed in a poetic mesh of audio and visuals as the music punctuates and reinforces the action on the screens.
There is also a sense of beauty pervading the entire set. A notable example is Solipsist, accompanied by the Nordic Giants’ track, Little Bird. The melodic vocals of Alyusha meld seamlessly with spectacular colours and the serene, exquisite movements of the dancers on-screen. Sometimes the beauty is less obvious but still tangible – Metachaos, a short directed by Alessandro Bavari, visualises a hellish dimension populated by tormented mutants. The immediate revulsion these creatures induce is offset by an eerie, desperate intent to their movements as they infiltrate an otherworldly fortress, seemingly encouraged and synergised by the driving rhythm of the Giants’ drums.
Throughout it all, the Nordic Giants occasionally loom from the darkness, framed against the smoke. They bend over their instruments and never look their audience in the eyes, keeping the focus on the visuals and the music. Their choice of dress and the concealment of their faces change their outlines in the half-light, and the effect is to make them appear ethereal – almost inhuman, in fact.
Their manner of silent storytelling is passionate and inspirational, and they let their music literally do the talking for them. Excerpts of rousing speeches from great figures like Charlie Chaplain and Martin Luther King call for peace and unity. They echo over crashing cymbals and a melancholy keyboard as the coloured lights spin in their cradles to survey the audience, as if encouraging self-examination. Gentle, soothing chords from the keyboard guide the softer emotions, like sadness, guilt or empathy, while the thrashing drums shock the audience into anger or horror at the events on-screen. The pauses between tracks were brief; giving the audience just enough time to applaud before the bass begins to pulse and the action begins again. The resulting impression is an almost perpetual barrage on a visual, audible and emotional level.
The keyboard and ever-present drums were joined by a trumpet and bowed guitar, all employed to a remarkable effect by a remarkable pair of musicians. Their unusual style of dress and effortless fusion of music and movies make the Nordic Giants’ live set a truly memorable experience, one that must be seen to be believed. They occupy their own corner of a post-rock niche, and the renewed interest in their most recent UK tour proves that they’re unquestionably dominating it.